Drake Commands Both Peaks While Catalog Titles Refuse to Fade

Drake holds the country in a split grip this week—*Habibti* at number one with 292K listeners, *For All the Dogs* from 2023 still pulling 235K at number two. That three-year gap between releases says something about endurance, about how certain albums settle into rotation and refuse to leave. Kendrick Lamar's *GNX* sits at four, a steady presence, while Michael Jackson's *Michael: Songs From the Motion Picture* arrives at five, proof that posthumous projects still command attention when the mythology is strong enough.

PinkPantheress sneaks in at six with *Fancy That*, her production style—brittle, nostalgic, quick—continuing to carve out space. Radiohead's *KID A MNESIA* lingers at seven, a 2021 reissue that hasn't lost its pull. Justin Bieber, The Weeknd, Tame Impala, Rihanna—all recent work, all hovering in that middle territory where commercial weight meets critical patience.

What's striking is how little Latin influence appears. No Spanish, no Portuguese, no reggaeton undercurrent. This is an English-language week, pop and hip-hop dominant, with Frank Ocean's *Cayendo* at fourteen offering the sole bilingual nod. Even as political tensions simmer—an Iran peace deal still uncertain, oil prices shifting in response—the chart doesn't reach outward. It turns inward, toward familiar names and trusted catalogs.

Lady Gaga appears twice in the lower half, *MAYHEM* and its *Requiem* both present. Charli XCX's *Wuthering Heights* and Taylor Swift's *The Life of a Showgirl* round out the bottom, both recent enough to still feel new. The landscape feels retrospective, patient, anchored by what already existed rather than what's about to arrive.