Tame Impala Takes Netherlands While Fleetwood Mac Catalog Refuses to Leave

Tame Impala's *Deadbeat* sits at number one with 13,000 listeners, though the margin is narrow enough to feel provisional. Justin Bieber's *SWAG* follows at two, sandwiched between Kevin Parker's psychedelia and Radiohead's *KID A MNESIA* at three. The Dutch chart has always tolerated eclecticism better than most.

What stands out is the catalog dominance. *Fleetwood Mac: 1969 to 1974* at four, Michael Jackson's *Memorial* at ten, Drake's *For All the Dogs* from 2023 at eleven. These aren't nostalgia plays. They're consistent presences, suggesting Netherlands listeners treat streaming like a library rather than a singles jukebox.

The 2025 releases cluster predictably: PinkPantheress, Lady Gaga, The Weeknd, all hovering between 9,000 and 10,000 listeners. Rihanna's Smurfs soundtrack contribution at six confirms that even throwaway film placements get traction when the name is big enough. Taylor Swift's *The Life of a Showgirl* at fourteen performs more modestly than her usual chart tyranny would suggest.

Bruno Mars has an album dated 2026, which either signals a leak or sloppy metadata. Harry Styles's disco pivot—also marked 2026—sits at sixteen. Gorillaz's *The Mountain* rounds out the bottom at twenty with the same future-dated confusion.

Olivia Rodrigo's Glastonbury BBC recording at thirteen is the sole live document in the top twenty. Otherwise, studio polish prevails. No Dutch-language entries. No Continental folk acts. Just Anglo-American pop machinery running parallel to classic rock reissues, which feels about right for a country comfortable with English but skeptical of sentiment.